For most of recorded history, every image has been either emissive or absorptive. Flective is neither. It is the third kind.
Loose mirror sequins, scattered at random. No image has been designed. No arrangement has been planned. And yet every disc is showing a different color — the color of whatever portion of the room it happens to be facing. Each one is a pure mirror. The colors are reflections, not pigment. The room itself, fractured into a thousand simultaneous angles.
Now imagine those angles were computed — each one aimed precisely so that, from a single viewer position, every disc resolves as part of a designed image. That conversion, from random reflection to computed reflection, is Flective imaging.
No paper. No ink. No electronics.
Only geometry, light, and a viewer.